Last edited by Fenriramar
Thursday, July 30, 2020 | History

2 edition of phenomenology of aesthetic value in music found in the catalog.

phenomenology of aesthetic value in music

Robert L. Shearer

phenomenology of aesthetic value in music

by Robert L. Shearer

  • 77 Want to read
  • 10 Currently reading

Published by Shearer in [Tallahassee, Fla.] .
Written in English

    Subjects:
  • Music -- Philosophy and aesthetics.,
  • Style, Musical.,
  • Phenomenology.

  • Edition Notes

    Statementby Robert L. Shearer.
    Classifications
    LC ClassificationsML3845 .S47 1976
    The Physical Object
    Paginationiii, 94 leaves :
    Number of Pages94
    ID Numbers
    Open LibraryOL14758432M

    BASIC FUNDAMENTALS OF PHENOMENOLOGY OF MUSIC BY SERGIU CELIBIDACHE AS CRITERIA FOR THE ORCHESTRAL CONDUCTOR Lucia Marin University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits : Lucia Marin. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications Chapter (PDF Available) January with Reads How we measure 'reads'Author: Maxine Sheets-Johnstone.

      The Value of Phenomenology and Hermeneutics Ma by Simon in Hermeneutics. I thought I would write a short blog which is just some free flowing thoughts about why I have been writing so much recently about phenomenology and hermeneutics. "Phenomenology of the Visual Arts (even the frame) speaks to the present moment of speculation about visual art, both by the critique of currently prominent art theories and by giving a convincing new theory that is at once more generous and more nuanced than previous efforts. Highly original and yet confirmatory of virtually every experience.

      Aesthetic value is certainly objective, just as virtue is. But I don't believe it can be measured by an applause meter, or that it is equally to be found in Bach and Bob Dylan. (1) The Aesthetics of Music, by Roger Scruton; Oxford University Press, pages, $ Horace W. Brock is the president of Strategic Economic Decisions, Inc. This book presents the major philosophical doctrines of phenomenology in a clear, lively style with an abundance of examples. The book examines such phenomena as perception, pictures, imagination, memory, language, and reference, and shows how human thinking arises from experience. It also studies personal identity as established through time and discusses the nature of philosophy/5(2).


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Phenomenology of aesthetic value in music by Robert L. Shearer Download PDF EPUB FB2

Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy: Second Book Studies in the Phenomenology of Constitution (Paperback) by Edmund Husserl (Translation). Discover the best Phenomenological Philosophy in Best Sellers. Find the top most popular items in Amazon Books Best Sellers.

The Phenomenology of Aesthetic Experience (Fr. Phénoménologie de l'expérience esthétique) was first published in In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and by:   The Phenomenology of Aesthetic Experience (Fr.

Phénoménologie de l'expérience esthétique) was first published in In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of.

The Phenomenology of Aesthetic Experience (Fr. Phénoménologie de l'expérience esthétique) was first published in In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting.

He devotes his third section to aesthetic perception.4/5(3). The Phenomenology of Aesthetic Experience(Fr. Phénoménologie de l'expérience esthétique) was first published in In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art."In the second, he elucidates types of works of art, especially music and painting.

He devoteshis third section to aesthetic perception/5(17). Connecting aesthetic experience with our experience of nature or with other cultural artifacts, Aesthetics as Phenomenology focuses on what art means for cognition, recognition, and affect—how art changes our everyday disposition or behavior.

value of this book for philosophy of sport can be seen in its treatment of movement and the performer’s pre-reflective awareness of her body as a communicator of themes other than the surface Author: Christina Conroy. Aesthetics, the philosophical study of beauty and taste.

It is closely related to the philosophy of art, which treats the nature of art and the concepts in terms of which works of art are interpreted and evaluated. This article addresses the nature of modern aesthetics and its underlying principles and concerns. THE PHENOMENOLOGY OF MUSIC AND THE THOMISTIC AESTHETIC ONE FEATURE of Neo-Thomism has been the effort to formulate a theory of aesthetic.

This attempt has resulted from the desire to confront Thomistic philosophy with modern problems in aesthetics. excogitating their definitions of "beauty," and aesthetic value, in an "a priori'' manner Author: Alfred Pike.

Aesthetics, or esthetics (/ ɛ s ˈ θ ɛ t ɪ k s, iː s- æ s-/), is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes from aesthetics). It examines subjective and sensori-emotional values, or sometimes called judgments of sentiment and taste.

Aesthetics covers both natural and artificial sources. The book is the first English translation of Nicolai Hartmann's final book, published in It will be of value to graduate students in philosophy, scholars concerned with 20th century Continental philosophy, students of aesthetics and art history and criticism, and persons in and out of academic philosophy who wish to develop their.

Introduction: This essay will explore the role that the aesthetic-nonaesthetic distinction plays in assessing activist art by women and artists of color. First, I shall review one traditional line of philosophical thought and show how it serves as the foundation for three types of reasons typically given for artworks reputed to lack aesthetic value.

Syntax; Advanced Search; New. All new items; Books; Journal articles; Manuscripts; Topics. All Categories; Metaphysics and Epistemology. The book contains a selection of essays on aesthetics, some of which have been revised or added to.

A number of the essays are aimed at the abstract heart of aesthetics, attempting to solve a cluster of the most important issues in aesthetics which are not specific to particular art forms.

These include the nature and proper scope of the aesthetic, the intersubjective validity of aesthetic. Phenomenology Explained and science, this book also addresses extensively the relatively neglected contribution of phenomenology to value theory, especially ethics, political philosophy, and aesthetics.

author of Philosophy and the Analysis of Music “Phenomenology can be notoriously opaque to beginners, but Detmer succeeds at being.

and the one in the middle which judges as he enjoys and enjoys as he judges. This latter kind really reproduces the work of art anew. The division of our Symposium into three sections is justified by the fact that phenomenology, from Husserl, Heidegger, Moritz Geiger, Ingarden, in Germany and Poland, Merleau-Ponty, Paul Ricoeur, E.

Levinas in France, Unamuno in Spain, and Tymieniecka, in the. DOWNLOAD NOW» This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship.

Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how.

The Continuum Aesthetics Series looks at the aesthetic questions and issues raised by all major art forms. Stimulating, engaging and accessible, the series offers food for thought not only for students of aesthetics, but also for anyone with an interest in philosophy and the arts.

Aesthetics and Music is a fresh and often provocative exploration of the key concepts and arguments in musical. G.W.F. Hegel’s aesthetics, or philosophy of art, forms part of the extraordinarily rich German aesthetic tradition that stretches from J.J.

Winckelmann’s Thoughts on the Imitation of the Painting and Sculpture of the Greeks () and G.E. Lessing’s Laocoon () through Immanuel Kant’s Critique of the Power of Judgment () and Friedrich Schiller’s Letters on the Aesthetic.

The Phenomenology of Aesthetic Experience (Fr. Phenomenologie de l'experience esthetique) was first published in In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting.

He devotes his third section to aesthetic /5(2).Heidegger is against the modern tradition of philosophical “aesthetics” because he is for the true “work of art” which, he argues, the aesthetic approach to art eclipses.

Heidegger’s critique of aesthetics and his advocacy of art thus form a complementary whole. Section 1 orients the reader by providing a brief overview of Heidegger. The Phenomenology of Aesthetic Experience (Fr. Phenomenologie de l'experience esthetique) was first published in In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting.

He devotes his third section to aesthetic /5(17).